Filmes

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

With this film-manifesto, the two artists invent what they called the Cinéma corporel (Cinema of the Body), they present themselves as a...

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

An echoing, nocturnal, elliptical text. Female voices speak it. Fragments of music punctuate and suspend the images. The text says the transformation...

The macrocosm present in QUASAR is a non colonized outer space. A non science-fictionalized outer space. It is a space of fantasized stars and...

In 1976, Maria Klonaris and Katerina Thomadaki direct with the Collectif 010 in La Cartoucherie in Vincennes a 48-hour action, Torture, which is...

After five years of intense work on identity, an alchemical quest for the depths, after nine films and films / actions where the actresses' gestures...

This filmic portrait is born of a double movement: the meeting of Lena Vandrey with our cinematographic universe, our meeting with her pictorial...

“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are...

Astarti, the Greek name for Ishtar, is an archetype of a deep, nocturnal feminine that emerges from subterranean darkness. We experience an embodied...

After the semantic body (Double Labyrinth) and the libidinal body (L'enfant qui a pissé des paillettes, Soma) we are dealing here with another...

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann...

This film is made from the soundtrack of the multimedia installation/environment Mystère I: Sleeping Hermaphrodite that we created for the XII...

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into...

Portrait of Katerina Logotheton, grandmother of the filmmaker, two years before her death on 3 July 1973.

The film takes the Freudian concept of the uncanny generated by an inexplicable strangeness to expose the reappearance of the repressed feminine...

Portrait of Katerina in a hotel room by the sea. Her sunglasses reflect her body and Maria’ s camera in the mirror, thus revealing, albeit ...