Abstract Filmes

Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music...

Shadow presences gradually emerge in Japanese filmmaker Makino Takashi’s abstract cinema composed of layers upon layers of natural imagery that...

A found-footage film made entirely from Academy leader, which is normally used to cue the start of films. The film was hand-printed on a home-made...

"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both...

Gogu’s feelings living with his parents for the past 28 years and still being a (fat) jobless filmmaker.

Short film by Tomonari Nishikawa

The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the...

The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making...

A swarm of forms, reminiscent of alien spaceships or mechanical bats suspended in space.

Another example of Detheux’s enchanting work, this year deepened by some outstanding live performance experiences.

A perfect blending of the art of maths and the maths of art.

An anxiety inducing exploration of juicy colors and crunchy textures driven by chaotic electronic music.

The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at...

Filmed in an empty shop, the remaining features of the space are used to create a kaleidoscopic light film. Ceiling lamps become coloured spheres and...

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which...

An abstract animated short by Michael Theodore.

A stunning piece of imagined night cartography rendered in an intricately crafted digital filigree.

A tactile, layered animation in paint improvised in response to Andrew Schultz’s work for bassoon and piano.

A sequence of hand-drawn experiments. Constants: visualist, technology, run time. Independent variables: musician, drawing materials, theme. ...

Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.